July 23, 2016 Last week we took the afternoon train to Saint-Émilion, a lovely little medieval village half a hour from Bordeaux, now entirely given over to the region’s wine industry. It’s full of steep streets and walls to climb. The church at its center is carved directly into a sandstone cliff.
Saint Émilion, as the story goes, was an 8th-century monk who took up residence in that same cliff long before the church existed. He soon gained the reputation of a miracle worker amongst the local villagers. After his death, he was buried under the cliff, and visited by pilgrims and travelers of all sorts. The monks who came after him founded monasteries on the spot, and brought with them viticulture, and so the village slowly took on form. Today, one has to walk a kilometer from the tiny train station to reach St. Émilion, and the place is surrounded by gorgeous sandstone Chateaus and rolling hills of vines.
The church tower is the high point of St-Émilion, and we were told it was possible to hike to the top if one had good enough French to ask politely for the key in the Office de Tourisme. Which we apparently did, and so we were given the key, and pried open an old wooden door and climbed up several hundred damp stone steps to take in the windy view from the top.
And then we came down, and drank a good deal of wine. Bordeaux is mostly known for the red wines, but we were taken with the Rosés. They range from the palest of sandy pinks to translucent ruby, and seem to glow somehow in their glasses.
The storefronts in St. Émilion are all brightly painted wood, set into the sandstone buildings. If we could have had a dime for every place that sold vin we could have financed the whole afternoon. And what wine! We saw bottles for 800, 1,000, 5,000, even 12,000 Euros–old, strange, rare vintages with names that said nothing to us, but would have said a great deal to Jonathan if he had been there, and did when I told him about them later.
“How on earth can anything taste good enough to be worth 12,000 euros?” I asked.
“It’s not about the taste of those wines,” he said. “Most of them aren’t particularly good after so many decades. It’s about the collection, it’s about the art-form. It’s like buying a Chevall window to hang up in your living room.”
By the end of the afternoon, we were slightly tipsy. We had to run to catch the last train to Bordeaux, and took a detour through the vineyards of a Chateau that may or may not have been private property, and ended up having to climb over a rather tall and very spiky gate. All as it should be.